CORREO DE ANDALUCÍA. 9/10/2010. Manuel Bohórquez,
"... She portraits a profound gypsy dance style, which she displayed in its prime in some of its styles, like, for instance, the 'taranto', with a complete development of the dancing and a extraordinary flamenco soul..."
"...But it was in the 'soleá' that La Moneta felt stronger, 'Alma mia' (My Soul), with a prelude of thirds sang for too long, but purporting an undoubtable 'jondura' (depth) in the performances of Lavi and David Sánchez 'El Galli'. The premises started to smell of recently made bread and La Moneta developed a complete performance, with tasty portions and inwards hand movements that captivated us..."
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